Director Wang Keran: There are two magic weapons for the success of the drama market.

The Beijing News (Reporter Zhang Jianlin) On September 15th, 2023, the Beijing Cultural Forum "Integration of Literature and Tourism: Combining Literature and Plastic Tourism with Tourism" was held, which was the first national and international forum with the theme of "Integration of Literature and Tourism". At the forum, Wang Keran, the founder and director of Yanghua Drama, shared his story. He said that drama plays an important role in the integration of literature and tourism, and there are two magic weapons for the success of the drama market, among which the lofty spiritual core is the key to the long-term survival of drama.

On September 15th, Wang Keran, the founder and director of Yang Hua Drama, spoke at the parallel forum of "Integration of Literature and Tourism: Using Literature to Plastic Tourism and Using Tourism to Promote Literature" of the 2023 Beijing Cultural Forum. Beijing News reporter Wang Jianing photo

In June this year, Wang Keran and his team made a cultural trip in Europe. Starting from the French Actors’ Spring Drama Festival, they visited the People’s Theatre in Lyon, France, watched the commercial drama performance in Paris, and finally went to Vendai Province, where they were invited to visit the "Madman’s Country Drama Valley" for three days.

The local drama park has a history of 46 years in France, and there is no amusement equipment, but it can attract about 2.6 million tourists every year, and its annual operation period is only seven months. "When we went, we thought it was the same plan as all kinds of’ performing arts shows’ that we had seen in a dramatic way. However, on the day we arrived, everything we watched shocked me and the team." Wang Keran said.

Wang Keran and his party watched about 12 performances in three days, and each performance was performed in theaters of different specifications based on historical stories. Specification refers not only to the size, but also to different theater forms, including framed theaters of different sizes, live performance theaters, and some performances that build historical environments and present historical buildings. All performances have a huge scale, or shocking sound, light, electricity and mechanical systems.

"Those contents are all based on such a system that all performances are (around) the timeline from history to the present." Wang Keran said that they designed the content with themes such as the spirit of defending the country and the lofty sacrifice. And every play, performance and core expressed by these themes are permeated with the most important and core emotions of human beings since the formation of civilization.

The core performance of "Madman Country Drama Valley" is "Big Night Show". The "Big Night Show" has a daily audience of 15,000, and there are two performances every weekend from June to September every year. Because of the great temperature difference between day and night, only these months in summer are suitable for outdoor performances.

"I was very surprised to find that the performance was full, and its audience was composed of audiences in France and surrounding French-speaking areas, and it was not promoted to the whole world. However, it has relied on its own audience for 46 years, and every year, every month and every game has achieved a perfect full number. " Wang Keran said.

In addition, they found that the viewing ratio of adults and children was basically 1.5:1. Judging from the age of the children, there are six or seven years old and seventeen or eighteen years old. The "Big Night Show" shows the growth and struggle of this nation from the Middle Ages to the modern times, and presents the great spirit needed to protect the country and defend the country through various dramatic means.

In Wang Keran’s view, the souls of these shows are all real dramas and profound dramas, which can attract countless people to participate in a patriotic drama education action in 46 years.

"There are two magic weapons for the success of the drama market, one is entertainment, and the other is sublimity." Wang Keran believes that the core of the long-term survival of drama is sublimity, because entertainment can be constantly replaced by various technical means, and sublimity can always obtain the core height with tenacious vitality through drama.

Wang Keran said that literary travel has a huge space, and the action of the great and lofty drama soul can be an important support and combination in the integration of literary travel. Beijing can have business, but what we are more proud of in Beijing is that it can attach great soul to the action of commercial value.

Unfortunately, the loyal minister of Juventus met with the captain of Inter Milan, who had no way to serve his country in Argentina, but became an Italian hero.

# 100 Watching Teams # Throughout the long history of Argentine football, this old-fashioned giant in the green world has never lacked talents. This is obviously a good thing for the Argentine national team. But for some players, it may not be a good thing. For example, Camoranesi, the hero of this article, a loyal Juventus minister with strong personal ability and loyalty, can only accept the fate of serving the country in Argentina because he unfortunately met Inter Milan captain Sanetti, which is extremely embarrassing:

Mauro german camoranesi was born in Tantier, Argentina on October 4th, 1976. Unlike those compatriots who received professional training at a young age in the youth training camps of traditional Argentine giants such as Riverbed and Boca, Camoranesi received youth training at a club called Atletico Alto Silvio. I’m afraid even many old fans who often pay attention to the Argentine League on weekdays don’t know much about this club, which was still hanging out in the Argentine Second Division at that time.

Born in this level of club, the fledgling Camoranesi suffered a lot. Unlike saviola and aimar, who have attracted much attention since their debut, Camoranesi did not get much attention in the first five years of his career, and he tasted the pain of wandering at an early age. He changed his employer five times in five years. It was not until 2000 that he was recruited by Verona as far away as Apennine that his career was slightly stable.

Camoranesi was a qualified right wing before landing in Apennine. He can not only break through with the ball, but also score from a long distance, which can disrupt the opponent’s defense line by himself. Of course, Camoranesi’s teamwork spirit is also beyond doubt. His first choice after a successful breakthrough on the flank is often to send an accurate cross to his teammates. In addition to creating threats on the flank, Camoranesi will occasionally move to the middle, and there will be a stunning direct plug, which will make the opponent hard to prevent.

Under the influence of Serie A, Camoranesi’s defensive ability has made great progress. As long as he sets foot on the court, he will not hesitate to defend physically, greatly reducing the defensive pressure of his own team. Although Camoranesi’s contribution on the defensive end can’t be compared with Nesta’s professional defensive player, Camoranesi has never been the team’s defensive weakness.

As for Camoranesi’s club Verona at that time, compared with the established strong teams like Inter Milan and Juventus, it is naturally not enough. However, the configuration of this team on the offensive line is actually quite good. Besides Camoranesi, he also owns Gilardino and Mutu, all of whom are famous figures in the green world.

Unfortunately, both Gilardino and Mutu were newcomers at that time, and they had not reached the peak of their professionalism. Therefore, Mutu, Gilardino and Camoranesi’s offensive combination are not very effective. Verona, let alone compete for European qualification, even struggled to avoid relegation, and have been hovering on the edge of the relegation zone. After the end of the 2001-02 season, Verona was unfortunately relegated.

Verona’s record will obviously affect Argentina’s attitude towards Camoranesi. You know, Argentina’s national team at that time was full of famous talents. Take the 2002 World Cup in Korea and Japan as an example. Even Riquelme and saviola, the most important men of the year, will be unfortunately defeated, so Camoranesi, who plays for Verona, will naturally not be called up by the Argentine national team. Even the media that was most opposed to the then Argentine coach Belsa would not take Camoranesi’s failure to participate in the 2002 World Cup in Korea and Japan as Belsa’s crime.

Fortunately, there are people who know the goods after all. After Verona’s unfortunate demotion, Juventus, a veteran Italian club, extended an olive branch to him and attracted him. It must be explained here that in the summer when Camoranesi joined Juventus, the Italian media generally believed that this new signing was just a substitute for Zambrotta. Zambrotta was unfortunately injured in the 2002 World Cup in Korea and Japan, and was doomed to miss the beginning of Serie A in 2002-03.

Perhaps even Moggi, known as the "king of transfer", didn’t expect Camoranesi, the new aid of Youwen, to be so fierce. During Zambrotta’s rehabilitation, Camoranesi played a phenomenal performance and locked his main seat in one fell swoop. So when Zambrotta comes back from injury, the Italian native can only look for playing opportunities in other positions. Fortunately, Zambrotta is versatile enough not to worry about having no ball to play …

It was not until this stage that there began to be voices calling for the Argentine national team to recruit Camoranesi. However, then Argentine coach Belsa was still unwilling to give Camoranesi a chance.

As for the reasons, there are probably two aspects: First, it was Camoranesi’s first season when he joined Juventus. Although his personal performance was excellent, at that time, he was not the kind of star player with old qualifications and his influence in football was not too great. Plus Camoranesi was born in a small club like Sporting Civi in Huhardeaux, not to mention his influence in Argentina. As a direct result, even if there are voices calling for the Argentine national team to recruit Camoranesi, the voices are not too many and not too loud. At the very least, it is nothing compared with the call for Belsa to call up Riquelme before and after the 2002 World Cup.

Second, and perhaps more importantly, I met Inter captain Sanetti in Camoranesi. Although Zanetti often played as a right-back during his time at Inter Milan, in Belsa’s 3-3-1-3 tactical system, Zanetti was the right-back avant-garde.

Once Belsa recruits Camoranesi, then Camoranesi’s biggest competitor is undoubtedly Zanetti. At that time, Sanetti was not only in his prime, but also had already proved his strength in the Argentine national team. Whether it was the 1998 World Cup in France or the 2002 World Cup in Korea and Japan, although the Argentine team failed to laugh at the end, Sanetti’s personal performance was impeccable and was deeply loved by Argentine football. Against this background, it is really difficult for Camoranesi to compete with Zanetti, the captain of Inter Milan.

When Camoranesi had no way to serve his country in Argentina, the Italian national team extended an olive branch to him. Because Camoranesi’s great-grandfather was Italian, it is not difficult for Camoranesi to apply for an Italian passport. So Camoranesi simply decided to play for the Italian national team.

Even if Camoranesi is strong enough to play for the Italian national team, there are still people who sneer at him. For example, fiore, an Italian international, once publicly stated that players should play for which country they were born.

This situation continued until the 2006 World Cup in Germany. Camoranesi, as the main player of Italy, helped the Azzurri win the World Cup successfully and became an undisputed Italian hero. The controversy about whether the Italian team should reuse Camoranesi only subsided.

Also in the summer of 2006, Camoranesi stuck with Juventus, who was relegated to Serie B, and chose to stay with Nedved, Buffon, Piero and Trezeguet, becoming a recognized loyal minister of Juventus. The reputation of "Brad Pitt" is destined to go down in history.

Camoranesi returned to Serie A with Juventus after suffering in Serie B for a year. However, the Calciopoli incident has had a great impact on the Bianconeri, which has lost a lot of main players. As a result, in the first few seasons before Juventus returned to Serie A, the team’s record was not good.

As for Camoranesi personally, with the increase of age and the troubles of injuries, the competitive state of this loyal servant of Juventus has indeed declined a lot. By the summer of 2010, Camoranesi, then 34, waved goodbye to Juventus and moved to Stuttgart. However, the old Camoranesi’s life in the Bundesliga was not happy. It was difficult for him to guarantee his playing time, and he soon changed his family and returned to play in the Argentine League. It wasn’t long before Camoranesi announced his retirement.