sangna – 第 5 页 – 上海419论坛-上海后花园论坛-爱上海龙凤419

An exclusive interpretation of the summer I met unexpectedly： an answer sheet for my hometown

Special feature of 1905 film network Movies starring directors, actors and actresses landed in national cinemas on September 3, 2021. The film tells the story of a street thug and a transfer student. In a series of accidents, they become each other’s only friends. When the summer ended, under the difficult problems of life, their friendship seemed to come to an end. "Unexpected Summer" had previously premiered at Pingyao International Film Festival on October 15th, 2020.

The story of the film takes place in Yichun, Jiangxi Province. No matter the director Yi Han, starring Chen Chuang, Guo Kexuan and other small actors in the film, they all have an indissoluble bond with Yichun. The film boldly uses local amateur actors and combines local dialects to restore the breath of life. Director Yi Han once said that "The Summer of Unexpected Encounters" is an answer sheet for my hometown, so how did the creative team present this answer sheet? What’s the touching story behind the movie?

The unexpected encounter in the title of the film is destined for Yi Han and Chen Chuang. The fate of Yi Han and Chen Chuang can be traced back to their youth. They were classmates in the drama class of Yichun Literature and Art School. Director Yi Han recalled: "Chen Chuang was admitted to the Beijing Film Academy after graduation, and I was in a particularly confused and confused time. After the exchange of letters, Chen Chuang encouraged me to take the director’s degree and paid my tuition for two years. I am the’ aquatic’ he sheltered. " Yi Han integrates the changes and friendship experienced in life into his creation, turning it into the lonely and frustrated yellow hairs and aquatic life in the summer of unexpected encounter, which also makes the story more vital.

Unexpected Summer is a letter written by a wanderer about his native land and his blood. What really touched the audience in the film was the simple emotion, which touched the soft place in their hearts. Yi Han said: "If the film is regarded as a rural film, I think it may make the pattern smaller. For example, people like Huang Simao, just like college graduates from first-tier cities, are under great pressure. Many young people are reluctant to go back when they think of going back to their hometown, classmates and their relatives. Many children have a kind of confusion and hesitation about the future, life and life. Just like Chen Chuang said, in this movie, many people may be able to see their own shadows or traces of a certain period of life in trouble. "

At the same time, what the film expresses or presents is not only Yichun, but also from Yichun, paying attention to people who are left behind children and wandering youth. The film’s young actors Guo Kexuan and Ouyang Zhaodi are local left-behind children, and the film’s discussion on the lonely childhood of left-behind children has also sparked heated discussions on the Internet. In an interview with reporters, two young actors showed their true feelings. Guo Kexuan, who plays Shuisheng, said: "I feel that she (mother) has abandoned me." In 2007, director Yi Han focused on the theme of left-behind children, and the film also scored 9.4 points in Douban.

Movie poster "Looking at Childhood in the South"

Yi Han said: "I know the left-behind children very well. Every time I see them, I will arouse my desire to do something in my heart, and finally form a script through my major. Left-behind children are a common phenomenon in the process of social development, which has been gradually reduced with the support of national economic development and policies. But for those children who exist, they don’t lack food and clothing. What they need is emotional nourishment and comfort and companionship during their growth. " The director’s insistence has been passed on to more people through movies, so that parents can think about how to better care for their children’s hearts and growth.

The film started on September 1, 2019, and Chen Chuang’s mother passed away on September 2. Chen Chuang returned to the set after the funeral, and devoted herself to the performance with thoughts and sadness for her mother. In the last explosive scene, Chen Chuang made a superb performance and finished his farewell to the role. Chen Chuang said: "In the last shot, when the tears came down, the composition of those tears was too complicated, containing a lot, which was really worth a thousand dollars. I can still recall the feeling of shooting the last shot of that scene. Every role is a valuable creation for me. We actors can interpret different roles and different lives with limited life. I am really happy. I love acting. "

The creative team of "Unexpected Summer" is rooted in Yichun, showing the high sense of responsibility of China filmmakers in focusing on social issues, and also handing over a satisfactory answer sheet for their hometown. The film is not only a commodity for sensory stimulation and unconstrained style, it can also reflect the problems existing in society, let the audience reflect and reminisce, and feel the intention and warmth of the creative team.

The director’s observation of today’s film review;The Summer I Encountered Unexpectedly is still a long letter written by the director to his hometown, just like the childhood in the south. In today’s fast-developing era, writing letters is a luxury, and so are those old and simple feelings. Like the friendship between one big and one small in the film, we need more works to leave these feelings behind. (Peng Kangping, director of Today’s Film Review)

A week’s cool review： banlieue 13 remembers Paul’s remake and leads to controversy

[Mainland cinema]

Banlieue 13: How do we deal with remakes?

Director: Camille Delamarre

Starring: Paul Walker, david belle, Gouchy Boy and catalina denis.

Xiaobian score: 6.5 points

One word recommendation:

　　 If you haven’t seen the original banlieue 13, this edition will make you addicted; If you have seen the original, please concentrate on this edition.

Exclusive cool comment:

　　 Why do you want to shoot banlieue 13 again after ten years? This question should be answered by luc besson and Hollywood. What the author considers is how we should treat the remake. After comparing the two versions, I believe most viewers can see that the two films are almost the same, and the remake has only made changes in details. It doesn’t make much sense to comment on which is good or bad. After all, the big framework hasn’t changed at all.

　　 There are two differences between the audience and this film (of course, these two points overlap): First, because of the late action star Paul Walker, who played the righteous policeman in the film. In order to remember Paul Walker, the audience who came to see this film naturally gave high marks, while the real audience did not buy it; The second is the difference between seeing the original and not seeing the original. For the former, the original is irreplaceable, especially the practice of adapting the version to follow suit is not sincere enough. For the audience who have never seen the original, there are enough entertainment elements such as parkour, fighting, anti-government, and the combination of good and evil, and they have gained a pleasant viewing experience.

　　 So have we got the answer now, about how to deal with the remake? Probably still have to use words like "different opinions" and "a thousand readers and a thousand Hamlets" to prevaricate. However, to make an inappropriate metaphor, can we treat the remake like our current lover, and don’t always think about his/her bad, and don’t always compare it with the predecessor?

Film critic’s comments:

　　 Nowadays, luc besson, a businessman, is often so terrible that he feels that a casual pat is a new film. Compared with the original version, this remake only adds more comic elements of handsome uncle selling corruption, and the action scene of parkour that was very popular in those years has long been insignificant. Finally, the reversal of the joint efforts of uncles to fight corruption is not bad. Perhaps the most attractive part of this film is the last In loving memory of Paul Walker. — — Blasphemy film

　　 The long shot at the beginning is wonderful, the parkour shot is very powerful, and the plot is simple but compact. At last, the villain was washed white too suddenly and went to Paul Walker’s legacy. The black and white commemorative photo after the film was emotional. — — The rise of juvenile school

(Text /by Lan Gan)

27 works were selected! Radio, Film and Television Administration released ＂Outstanding Domestic Documentary Collection in 2020＂

In 2020, a number of excellent documentaries, such as the war on "epidemic", the war to resist US aggression and aid Korea, and the fight against poverty, have effectively exerted the image power of the "national photo album"; This year, many excellent documentaries emerged, which explored the spirit of traditional culture, told about humanity and nature, and reflected real life, greatly enriching the screen.

A few days ago, the State Administration of Radio and Television released a collection of outstanding domestic documentaries in 2020. Twenty-seven documentaries were on the list, including "Fighting the Epidemic with One Heart", "80 Days of Real Shooting in Jinyintan", "Life Destiny Report from Wuhan", "For Peace", "Resisting U.S. Aggression and Aid Korea to Defend Our Country", "The Armageddon against Poverty", "China" and "Aerial Photography of China (Season 3)".

Among these works, documentaries closely related to the theme, such as fighting the "epidemic", resisting US aggression and aiding Korea, and tackling poverty, exert the image power of the "national photo album", tap the spirit of traditional culture, tell about humanity and nature, reflect real life, and continuously enrich the screen in this year. With the change of production technology and the expansion of documentary images, these high-quality documentaries, which are both artistic and valuable, promote the documentary to enter a new situation of high-quality development.

Stick to the main theme and unfold the narrative of home and country in real images.

Looking back at 2020, the sudden epidemic at the beginning of the year tested documentary workers, and a number of images with rapid response and various video recording methods became the window for people to understand the real epidemic progress. Standing in the final year of the decisive battle to get rid of poverty and win a well-off society in an all-round way, it also commemorates the 70th anniversary of Chinese people’s Volunteer Army’s war to resist U.S. aggression and aid Korea. A series of "main theme" documentaries emerged in 2020, which played an important role in the national narrative.

Six episodes of documentaryThe "epidemic" in the battle of one mindThe panorama shows the course of China people’s fight against the COVID-19 epidemic. Medical workers from all over the country rushed to the front line, more than 4 million community workers from all over the country rushed to the front, and scientific researchers fought all night. The whole process of the construction of Vulcan Mountain and Thunder God Mountain hospital wrote "China Speed", which made the world cool and hot, and the international concerted battle "epidemic" highlighted the close connection of the community of destiny.

80 Days of Real Shooting at Jinyintan, Life Destiny, Report from WuhanDocumentaries focus on the center of the epidemic and record the warmth and tenacity of people in fighting the epidemic at close range. "80 Days of Real Shooting in Jinyintan" starts from the first perspective of the epidemic witnesses. The documentary features five COVID-19 patients. Their courage and strength in the ICU ward of Wuhan Jinyintan Hospital and their life stories of ordinary individuals encourage the off-screen audience. As an extension of the brand column of satellite TV, Life Destiny Report from Wuhan records the process of Beijing’s medical team assisting Hubei to fight the epidemic together with patients in Wuhan. Eleven episodes contain the eagerness of medical workers to help Hubei, the sincerity of their comrades and the eagerness to embrace life.

At the same time,Today’s dragon looks upDocumentaries, etc., made new explorations in the form of production during the epidemic. Linking more than 30 provincial TV stations and more than 500 TV workers, 36 stories of wars and epidemics that took place all over the country on the second day of the second lunar month were connected in series, forming a floating day of national unity and mutual help.

"Leaving home is still a teenager, but returning has become a service to the country." In telling the story of resisting US aggression and aiding Korea, the documentaryFor peaceWith the combination of history and theory, documentary images and political commentary complement each other, and the program shows the glorious course and great national spirit of China people’s volunteers going abroad to fight by tracing back major historical events. 20 documentariesResist U.S. aggression and aid Korea to defend the countryA panoramic view of the War to Resist US Aggression and Aid Korea was presented. The program conducted rescue interviews with the witnesses, and decrypted precious files and telegrams for the first time in the film. Some historical images were made public for the first time, and oral history and detailed data files restored the original appearance of history to the greatest extent. Six episodes of documentaryHeroFocus the story on the "loveliest person" vertically, and combatants, logistics personnel, medical staff, military translators, literary and art soldiers, etc. form a group of heroes to deeply show the story behind the heroes. Touching the national spirit in tracing the history, when the individual narrative meets the national memory, its spirit of the times shines again.

Pulling the timeline to the contemporary life scene, documentary workers came to the fields to record the fiery story of poverty alleviation. Ten episodes of documentaryOur story of poverty alleviation in 2020Eight directors followed the filming for four years. This group of directors with an average age of over 50 years took root in the soil. After a long period of fixed-point observation and follow-up recording, the stories of poverty alleviation in the "three districts and three States" deep poverty-stricken areas such as Medog in Tibet, Nujiang in Yunnan, Jinsha River and Yellow River beach formed a typical sample, and there was no explanation. Let the stories speak for themselves. The documentary witnessed the great achievements of poverty alleviation with the power of time.

Focusing on the process of industrial poverty alleviation, ex situ poverty alleviation, and education poverty alleviation in Guizhou, Yunnan, Shaanxi, and Guangxi, three episodes of documentaries.Armageddon against povertyVividly reflect the life picture of the road to poverty alleviation; With the theme of poverty alleviation cooperation between Guangdong and Guangxi,Drink a river togetherShow the road of "getting rich first" and "getting rich later" in Guangdong and Guangxi, and work together to achieve a well-off life;The most benefit of spring.Taking the story of poverty alleviation in rural Hunan as the context, it shows the past and future of rural China;The field of hope, Ussuri’s new songDeeply focus on the story of Hezhe people living along the Wusuli River since the reform and opening up. On the one hand, the soil and water have changed and remained unchanged, and precious local chronicles have been written.

Resonate with the times and reflect the national spirit with multiculturalism.

Grasping the pulse of the times and looking back at the new connotation of traditional culture, a number of cultural and historical documentaries with novel themes and expressions have made new breakthroughs in their production and dissemination methods. With upgraded content quality, rich cultural heritage and based on an international perspective, these documentaries exude vitality in the collision of multiculturalism.

From the Spring and Autumn Period to the Tang Dynasty, DocumentaryChina.Following the historical context to sort out the long-standing Chinese culture, the evolution of civilization in system, economy and culture has jumped to the screen. Different from the production of traditional historical documentaries, "China" further explores the audio-visual language and forms of expression. The artistic scenery setting, 8K photography and soundtrack are quite magnificent. At the same time, the documentary breaks the traditional linear narrative, captures key events, and imagines real-life scenes, which is both aesthetically elegant and historically heavy, presenting a comprehensive, three-dimensional and true national image.

"Xiling is not cold", documentaryXiling printing societyTaking the century-old historical changes of a printing press as the axis, this paper tells about the culture of Chinese studies and the spiritual character of literati and officialdom. With the help of media communication, the documentary triggered a heated discussion after it was broadcast.Hometown of literatureFollow-up filming of six writers Jia Pingwa, Alai, Chi Zijian, Bi Feiyu, Liu Zhenyun and Mo Yan’s trip to their hometowns, which is both their hometown and their habitat. From north to south, their relationship with their hometown also forms a literary map on the geographical axis, reflecting how the root of culture occurred and how it went overseas.

Beauty of ChinaFocus on the world-renowned artists in China, and start a dialogue between tradition and modernity from the perspectives of architecture, calligraphy and painting, opera, dance, music and design. Among them, there are both artists’ self-reports and creative exhibitions, which dig deep into the aesthetic core of China elements and are full of poetic beauty.Make friends with the pastIt is also a beneficial practice to build a bridge between tradition and pop, to follow the guests’ cultural exploration journey, and to understand the cultural factors, new content, youthfulness and new mode of production in the collision of ancient and modern cultures.

"The United States and the United States are United, and the world is the same". Historical and humanistic documentaries not only take care of the changes of ancient and modern times, but also play the artistic function of "sightseeing" of culture. Documentaries produced by international cooperation and going abroad to visit cultural traces interpret the new connotation of the times in international exchanges.

To commemorate the 50th anniversary of the establishment of diplomatic relations between China and Italy, a 4K micro-documentary based on micro-video was presented.From Chang ‘an to RomeRealize micro-recording and light expression. As the first achievement of film and television cooperation between China and Italy under the "Belt and Road Initiative", the documentary shows the collision and blending of ancient and modern civilizations of the two countries from the parallel perspective of "A Tale of Two Cities", and expounds the Silk Road spirit from different angles such as social life, silk road commerce and military exploration.

Visitors from the seaBased on the first French merchant ship that sailed directly to China 300 years ago, the "Anfeite Park Jung Su" was used as a clue to restore the legendary story of the Maritime Silk Road. The creative team excavated historical materials by visiting many places, and showed the ups and downs of history with a suspenseful narrative method.China’s TreasureProduced in the form of Sino-British international cooperation, following the China Museum’s treasure hunt by the host of the British history program, eight China cities, with a journey of more than 7,000 kilometers, took a year to shoot, and the program presented a colorful picture of the long river of Chinese history and culture in the dialogue between China and the West.

Highlight the humanistic connotation and tell the story of China well.

Extracting creative materials from reality, keenly capturing documentaries of life, or reflecting the great era with little people, or presenting a simple philosophy of life with the relationship between man and nature, these works respond to social concerns with real images and record the new era.

New year’s broadcastLife for the first timeTaking the method of squatting and shooting, we capture the "first time" of ordinary individuals in 12 important stages of life, such as birth, school, starting a family, starting a career and providing for the elderly, and form a life picture full of laughter and tears. Documentary not only warmly touches the dilemma of life, but also brings emotional comfort to the audience in this special year. Documentary film"great! TeenagerLanding in the cinema in December 2020, a group of teenagers from all over the country formed a special baseball team at the Love Baseball Base in the suburbs of Beijing, and did not compromise their fate. The film recorded the ignorant and passionate lives of these teenagers with deep humanistic care.

In addition to observing the relationship between man and the environment, documentaries recording the life of man and nature are also full of humanistic philosophies.Mountains and Rivers in Xinjiang (Season 1)Taking the "Three Mountains" of Tianshan Mountain, Kunlun Mountain and Altai Mountain as the main line, the story of strugglers and builders in the new era, the unique regional culture and the struggle stories of all walks of life present a magnificent land of Xinjiang. The first documentary about animal nature set in Beijing.Our Animal NeighborsTaking the wild animals in the city as the shooting object, the three-year shooting recorded the changes of the city landscape, providing a new reference for the harmonious development of man and nature.

It took four years to shoot.Blue landIt is the first time that China Documentary Team has taken a comprehensive and systematic picture of the ocean in the form of a nature documentary, and it is also the largest, widest and most comprehensive marine shooting action in China so far. From the perspectives of seasons, trends, coastal wetlands, islands, bays and survival challenges, the documentary shows a mysterious and magnificent blue realm.Aerial photography of China (season 3)Taking Yunnan Province, Anhui Province, Guizhou Province, Shandong Province, Tianjin City, Shanxi Province, Jilin Province, Hunan Province, Hebei Province and Ningxia Hui Autonomous Region as the shooting objects, it continues to show the vastness of 9.6 million square kilometers and the surging of 3 million square kilometers. Assemble a creative team of 300 people, with a total flight range of more than 250,000 kilometers. With the upgrading of aerial photography technologies such as 4K ultra-high definition and helium balloons, documentaries not only explore the beauty of nature, but also show regional culture and humanistic characteristics.

Zoom in, China’s first nature gardening documentary.Flowers bloom in ChinaThrough the culture and history of camellia, rhododendron, rose, chrysanthemum and peony, the beauty of plants and humanity is displayed. 4K standard time-lapse photography, animation, microphotography and other shooting methods accurately capture the growth process of flowers and bring visual wonders.

"Finding the right topic, telling a good story and making a fine work" is the important mission of documentary creation at present. Documentary workers constantly enhance their "foot strength, eyesight, brain power and pen power" in the creation of real images. This time, 27 works selected for the collection of excellent domestic documentaries in 2020 have innovative expressions in their artistry and ideological connotation. Next, in the face of new voice, new technology and new gameplay, domestic documentaries will bring more excellent works in the high-quality development stage.

Editor | Sui Fangfang Ning Yahong

Take stock of the new ＂square box＂ SUV of Guangzhou Auto Show!

The "square box" style SUV is a rising category this year, which is widely liked by young people. Car companies are also willing to invest resources in this market segment, including Wuling Baojun, Geely and Chery. At this year’s Guangzhou Auto Show, car companies also brought many products of this type, some of which are brand-new models, and some of which are redesigned with eye-catching configurations. Today, let’s take a look.

1、iCAR V23

ICAR V23 is the most concerned one in this type. Consumers who like it have been waiting for a year. Today (November 15th), iCAR V23 finally opens for pre-sale, and the price is 110,000-150,000, which is not far from the range we had guessed before. It is estimated that the official price will be in the early 100,000 s.. The personality of the new car is very obvious. The short axle has four wheels and four corners, excellent off-road parameters, and the car is also quite retro, including mechanical knobs. Its central control panel has built-in mobile phone interconnection functions such as Apple Carplay, and its battery life is 401km and 501km.

2. Free riders

Chery has a lot of new cars, and there are several "square box" SUVA models. The new compact SUV Jietu Freeman made its debut at the Guangzhou Auto Show. The new car is a fuel version of Jietu Shanhai T1, equipped with Kunpeng power system-2.0t+8at combination, which is more suitable for XWD automatic intelligent four-wheel drive. Needless to say, the design inherits the design elements of Jetway Shanhai T1 and Jetway Traveler. The car body is 4.7 meters long, and the wheelbase is over 2.8 meters. The cockpit is equipped with a 15.6-inch large screen and built-in 8155 chip, which has fast response speed, smooth operation and rich application functions.

3. Baojun Yueye Plus

At this year’s auto show, Baojun brought the 2025 Baojun Yueye Plus to upgrade the Zhizun version. The price of 103,800 yuan has not changed, but the new car is equipped with the latest Lingbi Intelligent Driving 2.0 Max, which means that its intelligent driving ability is in line with the higher-level Baojun Yunhai and other models. It is worth mentioning that the current models can also be upgraded for free OTA in the first quarter of next year. The new car is the only car with an end-to-end model in the early 100,000 s, and its "square box" shape is also popular among young people. The battery life of 401km can meet the needs of daily commuting and short-distance travel.

4, 212 T01 Changfeng

212 is a classic off-road vehicle in China. At the Guangzhou Auto Show in 2024, 212 brought T01 Changfeng, with a price of 188,800 yuan. Its off-road performance has been greatly upgraded. First, the off-road kit has been added, which has increased the ground clearance of the new car, while the bumper, wading hose and front winch have been upgraded. Compared with the rough appearance, the cockpit of the new car is obviously more scientific and modern, providing a multi-function steering wheel, a large-size floating screen and an electronic gear lever. Equipped with 2.0T engine, it can output parameters of 185kW and 410N·m, and it is equipped with 8AT gearbox.

N Comments: It is said that the trend is a reincarnation. Just look at the "square box" SUV and we will know that we call it "retro"; Of course, this type of SUV also has its advantages, and the high face value is the main one. In addition, most of them adopt the layout of four wheels and four corners, and the approach angle and departure angles are relatively large, so it is not difficult to press the road teeth. In addition, the interior space of the Founder styling car is guaranteed, especially the head space. The empowerment of new energy makes the "square box" SUV have more functions, such as intelligence and higher playability. (text: VITAMIN, picture: network)

Sun Honglei interprets the mix and match style ＂green trousers＂ and Bao Beier distorts fashion.

creator in chief

"Green Pants" Bao Beier

Bao Beier and the "green pants shape" on the poster at the back set each other off.

　　　The Chinese comedy movie "The Battle of Shama Town" finally broke through the fog to reveal its deity and made its grand premiere on June 23rd. Director Li Weiran, together with Sun Honglei, Lin Chi-ling, Huang Hai Bo and Bao Beier, made their debut at Sina Entertainment to promote the film release.

　　The Battle of Shama Town broke the traditional Chinese comedy style, and the word "original" took the lead. The film’s leading actor is even more subversive, including Sun Honglei and Lin Chi-ling, who have made great breakthroughs in both modeling and deductive techniques. Bao Beier, a young actor who has gradually emerged in the film and television circle, has become the focus of media discussion with his "green trousers" style.

Green Pants Mix and Match Fashion Show Bao Beier Leads Fashion Style

　　No matter from which actor, the shape of "Battle of Shama Town" is a major feature of the film. Li Weiran, the director, revealed that these clothes didn’t have much features when they first arrived at the crew, but the popular "mix and match style" of the "Final Battle" crew brought full inspiration to everyone. So under everyone’s careful mix and match, Lin Chi-ling’s "Rose of Chopper", Sun Honglei’s "Sharp Village Head" and Bao Beier’s "Green Pants" were released. In addition, Bao Beier added a lot of originality to his green trousers, such as the "urinal opening" at the back and the "thigh gap" looming, all of which became the highlights of the whole play, which was impressive. So that when Li Liqun first came to the crew, he saw the image of Bao Beier and said, "Xiao Bao, I want to go crazy when I see your green pants." Sun Honglei said with a smile: "Some friends from the French and German fashion circles are very interested in Bao Beier’s green wool pants, saying that it is very promising to lead the fashion trend in the next few years."

For the first time, I joined hands with nervous people in Bao Beier, Sun Honglei.

　　Bao Beier, who became popular in the entertainment industry with his superb acting skills, was once praised by many audiences as "Little David". Bao Beier said with a smile: "I wanted to take the idol route, but the food of the crew was too good, which was self-defeating and distorted." Compared with the unkempt image of "touching the dog" on the poster of "Battle of Shama Town", Bao Beier lost a lot of weight. When talking about the reason, Bao Beier laughed. "I was a normal person. For the first time, I cooperated with big names like Brother Hong Lei and Sister Zhiling. I was so nervous that I couldn’t sleep well, so I was swollen." The master revealed that Bao Beier’s "Touching the Dog" was not a fool at first, but under Bao Beier’s repeated experiments, discussions with the director, second creation and "everyone’s help and pressure", what was presented to the audience was "Touching the Dog", which was different from the original script. Although this image was quite distorted, it became a classic of the film and added a lot of color to the film.

　　In addition, Bao Beier admitted that the biggest treasure he "dug up" when filming "The Battle of Shama Town" was his cooperation with other actors, and he "benefited a lot from them". Li Weiran, the director, also said that it was like working together to achieve a dream. "The sense of fulfillment is indescribable.".

Movie network point of view: The funny modeling of "Green Pants" Bao Beier will be the highlight of the film, but the stars such as Sun Honglei and Lin Chi-ling are the focus of the film’s box office.

Starting from 75,800 yuan, Wuling Binguo five-seat version was officially listed.

Today, Wuling Automobile officially launched its five pure trams-SUV five-seat version. The new car offers three endurance configurations of 330km, 401km and 510km, and the official guide prices are 75,800 yuan, 84,800 yuan and 95,800 yuan respectively. The new car has been improved in terms of space, power, safety and comfort, aiming to provide users with a more comprehensive travel experience.

In order to thank users for their support, from now on, users can book the five-seat version of Wuling Bingo SUV through online platforms such as Wuling Auto APP and applet, and enjoy five car purchase discounts. These benefits include:

Replacement subsidy: up to 22,000 yuan, including replacement subsidy of up to 2,000 yuan/set, and state subsidy of up to 20,000 yuan for trade-in (valid until December 31, 2024).
Financial discount: 0 interest for 24 installments, and financial discount of up to 2000 yuan/set.
Battery warranty: the first non-operating car owner can enjoy the battery lifetime warranty.
Car gift package: 3M solar film (excluding installation) is given to all departments.
Charging pile gift: give AC charging pile (excluding installation).

The five-seat version of Wuling Bingo SUV is not only a daily scooter, but also dedicated to meeting the travel needs in more scenarios. In response to the increasingly diverse needs of consumers, Wuling has carefully built this five-seat pure electric SUV to enhance the overall driving experience of users by optimizing the performance in space, power and safety.

The five-seat version of Wuling Binguo SUV adopts a fashionable and simple body design, and provides four body colors: milk coffee white, glazed red, storm grey and aurora green, with a suspended roof, which makes the appearance dynamic and fashionable. By optimizing aerodynamic design, such as the design of large-angle windshield, front air curtain with blade, 15-inch aluminum alloy wheels and tail, the drag coefficient of the whole vehicle is further reduced and the endurance is improved.

In terms of interiors, the five-seat version of Wuling Bingo SUV provides two color schemes: empty green and warm sand white. The interior cockpit design pays attention to comfort, and the 360 soft bag design brings good tactile sensation and visual extension effect. The main driver’s seat supports electric 6-way adjustment, and the rear seat can be laid down independently at a ratio of 4/6 to meet different riding needs.

The body size of the new car is 4090mm long, 1720mm wide and 1575mm high, with a wheelbase of 2610mm, providing spacious interior space. After the rear seats are put down, the trunk space can be expanded to 1450L to meet the needs of more travel scenes.

In terms of power, the five-seat version of Wuling Bingo SUV is equipped with a 75kW water-cooled flat wire motor, with a maximum torque of 180N·m and an acceleration time of 3.7 seconds from 0 to 50 km/h, which shows excellent power performance. The new car offers endurance versions of 330km, 401km and 510km. The power consumption per 100 km is only 10.1kWh, and the use cost is as low as 6 cents per km. The vehicle supports multiple charging modes, and it only takes 30-35 minutes to quickly charge from 30% to 80%.

In terms of safety, the new car is made of high standards, and the whole system comes standard with refined batteries, and is equipped with high-strength body structure to ensure driving safety. In addition, the new car comes standard with four airbags, ESC electronic stability system, automatic parking system and reversing radar, providing all-round security.

The chassis of the five-seat version of Wuling Binguo SUV has been carefully adjusted, and the driving stability has been improved. At the same time, the new car is equipped with convenient functions such as keyless entry and start, remote control of mobile phone, etc., which brings more intelligent driving experience to users.

Speech by Wen Jiabao and EU leaders when meeting with reporters (full text)

Topic: Wen Jiabao attended the 11th China-EU Leaders’ Meeting.

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　　On May 20th, Prime Minister Wen Jiabao of the State Council, China met with reporters after holding the 11th China-EU Leaders’ Meeting with Czech President Klaus (centre) and European Commission President Barroso (right), which holds the rotating presidency of the European Union. Xinhua News Agency reporter Wu Weishe

　　Xinhuanet Prague, May 20-the State Council’s Prime Minister Wen Jiabao attended the 11th China-EU Leaders’ Meeting in Prague, Czech Republic on the 20th, and after the meeting, he met with reporters together with Czech President Klaus and European Commission President Barroso. The full text of Premier Wen Jiabao’s speech at the meeting with reporters is as follows:

　　Journalists and friends:

　　Good afternoon! Nice to meet you all. This is my second visit to Europe in five months. During the Spring Festival in China in January this year, I visited the EU headquarters and four European countries, and attended the annual meeting in Davos in winter. I noticed that some media called that visit a "journey of confidence". Indeed, what I said most was that in the face of crisis, confidence is more important than gold and currency. An important achievement of that visit was that I agreed with the leaders of the European Union in Brussels to resume the China-EU summit as soon as possible. I flew for ten hours this morning to attend the meeting as scheduled. Because there are still many urgent things to do in China, it will take ten hours to fly back to Beijing at night, and it will take twenty hours on the road. I just said at the beginning of the meeting that I came with sincerity, responsibility and confidence. This is from my heart and is also a real action. China people stress that words must be kept, actions must be carried out, and the friendship between countries ends with faith. I believe that the development of China-EU relations should also abide by this principle.

　　From the inception of the European Community to today, the European Union has 27 member States, and China has always welcomed and supported the construction of European integration. For decades, no matter what difficulties we encounter, China’s position has not changed. Six years ago, China and Europe announced the establishment of a comprehensive strategic partnership, which is the result of joint efforts of both sides and a solemn commitment to the future and the international community. The development of China-EU relations conforms to the historical trend, meets the needs of the progress of the times, and benefits the Chinese and European people and the whole international community. I would like to mention in particular that the EU is China’s largest trading partner, with bilateral trade volume reaching US$ 425.6 billion last year. In the past five years, EU exports to China have increased by more than 20% annually, and China has become one of the most important export markets of the EU in the world. Almost all large enterprises in EU countries have invested in China. They are the beneficiaries of China-EU cooperation and the witnesses of China’s reform and opening up. Both sides should strengthen their confidence, deepen cooperation and continue to move forward hand in hand.

　　At present, there are various opinions about the development prospect and role of China in the world. Here, I want to clarify three points responsibly: First, the basis of China-EU relations is mutual respect and equal treatment, which was, is and will be the case in the future. Second, China has made great achievements in its development, but it is still a developing country. It will take a long time for China to realize modernization, and it will take generations of hard work. Third, China adheres to an independent foreign policy of peace, pursues an open strategy of mutual benefit and win-win, and is willing to develop friendly and cooperative relations with all countries and will never seek hegemony. It is impossible for one or two countries or groups of big countries to solve global problems. Multipolarization and multilateralism are the general trend and the will of the people. Some people say that the world will form a pattern of co-governance between China and the United States, which is groundless and wrong.

　　During the meeting, I pointed out that the core of China-EU relations is strategic and comprehensive, and the key is to keep pace with the times. Under the current complicated and changeable international political and economic situation, China and Europe should adhere to the basic orientation of strategic partners, take expanding pragmatic cooperation as the main line, and focus on keeping pace with the times to promote the comprehensive, in-depth and sustainable development of bilateral relations. To this end, we should give full play to the strategic leading role of the China-EU leaders’ meeting in the development of bilateral relations, and attach importance to and improve the quality and efficiency of the meeting; Give full play to the role of high-level economic and trade dialogue and various consultation mechanisms to promote exchanges and cooperation in various fields; Give full play to the stabilizing role of the legal framework and reach an agreement on the negotiation and signing of the China-EU partnership and cooperation agreement as soon as possible. I emphasize that the most important thing in China-EU strategic cooperation is to adhere to the principles of mutual respect and non-interference in each other’s internal affairs, take care of each other’s major concerns, and properly handle sensitive issues, so that the relationship between the two sides will not be affected by one incident. It is hoped that the EU will recognize China’s market economy status as soon as possible and lift the ban on arms sales to China, which is beneficial to the EU and China-EU relations.

　　I exchanged views with the European side on how to deal with the international financial crisis. In dealing with the crisis, China and Europe share the same interests and have a broad consensus. We need Qi Xin to work together to overcome the difficulties and contribute to the early recovery of the world economy. After my visit to Europe in January, China immediately sent a trade and investment promotion delegation to Europe, which produced positive results. I announced that China will send another purchasing delegation to Europe in the near future to increase its imports from Europe. China is willing to further promote mutual investment with the EU, strengthen cooperation in the fields of small and medium-sized enterprises, trade facilitation, science and technology, transportation and postal services, and oppose any form of trade and investment protectionism with practical actions. It is hoped that the EU will relax export restrictions on high-tech products to China, foster new growth points of China-EU economic and trade cooperation, and promote the sustained growth of China-EU trade. China is willing to strengthen dialogue, close communication and coordination with the EU in the fields of macroeconomic policies and finance, and jointly promote progress in the reform of the international financial system. Just now, China and Europe signed three cooperation agreements on energy, science and technology and small and medium-sized enterprises, which are three important areas for deepening mutually beneficial cooperation between China and Europe. Both sides should closely cooperate and earnestly implement them.

　　I gave the European side a comprehensive introduction to China’s policy proposals and specific measures to deal with climate change, stressing that despite the impact of the international financial crisis, the international community’s determination to deal with climate change cannot be shaken and its actions cannot be relaxed. China is willing to work with the European side to adhere to the principle of "common but differentiated responsibilities" and promote positive results at the Copenhagen conference at the end of the year. I also exchanged views with the European side on energy issues and some international issues.

　　I think the leaders’ meeting is fruitful and has achieved the purpose of enhancing mutual trust, promoting cooperation and deepening relations. The development of China-EU relations reflects the mutually beneficial cooperation between the largest developing country and the largest group of developed countries, the friendly exchanges between the two ancient civilizations, and the frank dialogue between different social systems. Achieving common and harmonious development between China and Europe is fundamentally conducive to the harmonious and sustainable development of the world. This is the common responsibility and mission of China and Europe. China is full of confidence in its own future, the development of the EU and the future of bilateral relations. China is willing to be good friends and partners with the European side, promote development through harmony, seek win-win cooperation and make greater contributions to the cause of human progress.

　　Finally, I would like to thank the Czech side, which holds the rotating presidency of the European Union, for its extensive preparations and warm reception to the Chinese delegation. I look forward to the 12th China-EU Leaders’ Meeting in Beijing at the end of this year.

　　Thank you!